News Desk, Kolkata : In a packed legislative assembly, a BJP lawmaker orchestrated a musical protest, drawing attention with a makeshift stage. When challenged, the party rallied behind him, and the Speaker assured an opportunity at the right time. Finally, after approximately 24 hours, the state’s minister and singer, Babul Supriyo, seized the moment during Saturday’s budget session.
However, when the opportune moment arrived, the BJP legislator was conspicuously absent from the assembly. Ironically, in the opposition-free legislative assembly, Kishor Kumar’s song played, responding to the alleged ‘insult.’ Babul, taking the floor, stated, “Today, a particular song is resonating with me. Kishore da’s song from the movie ‘Amar Prem’ – ‘Kuch to log kahenge, logon ka kaam hai kehna…'” Why did Supriyo choose this song?
The genesis lies in the Friday budget session at the legislative assembly. As discussions on the budget unfolded, BJP legislator Ashok Lahiri took a dig at Supriyo, urging him to speak about the budget while mocking him with a song. On Saturday, during the budget session, Lahiri once again took the floor, starting with a reference to a CID song, “Kahi pe nigahaen, kahi pe nishana.” Following this, he continued with his speech. However, Babul Supriyo seemed irked by Lahiri’s comments. Rising to his feet, he questioned Lahiri’s attacks, asking, “Why are you attacking me?” The situation escalated, leading to Trinamool Congress minister Arup Biswas intervening to calm Supriyo.
As the debate unfolded, Finance Minister Nirmal Ghosh praised Supriyo’s singing skills, urging him to speak on economic matters. The banter continued, and even TMC minister Bratya Basu joined in, expressing admiration for Supriyo’s singing. Despite this, Supriyo refused to speak, citing the parliamentary rules that limit spontaneous remarks.
Saturday’s episode has left political observers speculating about Babul Supriyo’s political maneuver. Although he chose to respond with a song, the specific lyrics raised eyebrows. The verses, “Kuch to log kahenge, logon ka kaam hai kehna…” seemed loaded with significance, prompting questions about whether Supriyo felt slighted by the political developments.
In the aftermath, Babul Supriyo’s singing stint is being seen as a calculated move, a strategic blend of music and politics. Political associates believe that it was a form of protest, a means for Supriyo to express his dissatisfaction without violating parliamentary norms. The choice of Kishore Kumar’s classic, known for its defiance against societal judgments, adds a layer of complexity to the narrative.
Supriyo’s musical interlude has set the political landscape abuzz, with discussions extending beyond the legislative assembly. The intersection of art and politics has sparked intrigue, with many questioning the subtleties of his song choice. As the story continues to unfold, it remains to be seen whether Babul Supriyo’s musical protest will echo in the corridors of power or fade into the background of political theatrics.
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